Today I had an email exchange with my photographer friend (and editor, who has edited many of my books) Derek Doeffinger about the subject of bokeh. Derek's interpretation of bokeh is that, while it can describe the OOF (out of focus) areas of a photo at any aperture, it is most often used to describe the OOF area of images shot at full aperture with large-aperture (for example, a lens with a maximum aperture of f/2.8 or f/2) lenses. I think he may be right in how the term started out being used, but today it kind of loosely refers to the aesthetic quality of any OOF area in a photo. I shot my photo of the shell with a 70-300mm lens at f/4.5, so it may not be exactly what some purists are talking about, but I think the concept is the same: the quality of the OOF areas. And the shell photo does have a nice soft OOF background. Derek, by the way, is author of several beautiful books of waterfall photographs shot in upstate New York, including: Waterfalls and Gorges of the Finger Lakes
So, I'm not sure that any purists would look at my shell shot and say "nice bokeh," but for now it will have to do and I'll keep shooting more photos with this nice visual concept. If you want to read more about bokeh, just do a Google search, or look on Flickr for bokeh groups. Below, by the way, is a photo with what I would call "bad" bokeh--the highlight circles are a major distraction from the daffodils. I shot it up in Litchfield a few years ago and I'll talk about where I shot it in an upcoming post--you'll want to know about if if you live in New England...teaser: there are more than a million daffodils there. Oh yeah, and by the way, it's a store-bought shell--my radio partner Ken Brown thought I might have been lucky and found it on the Connecticut shore. I did, I found it on the shore in Mystic for $100!
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