I don't know if I've mentioned it on here much or not, but for the past six months or so I've been writing a monthly column called "Traveling Photographer" for Popular Photography magazine. My most recent column (the December issue--January was bumped for space reasons) was on photographing wildlife from wildlife drives at national wildlife refuges. I love finding new wildlife drives (there are about a half dozen listed at the end of the article) because you have the convenience of being able to drive deep into a wildlife preserve and you get to use your car as a blind. Also, some of the preserves that I visit (like the Merritt Island National Wildlife Refuge in Titusville, Florida, where I shot this great egret) can be kind of dangerous for casual walking--we've seen lots of alligators, Eastern diamondback rattlesnakes, wild (feral) hogs and bobcat there--not to mention mosquitoes the size of small aircraft.
By the way, if you are interested in photographing birds or wildlife, I can suggest some great books and sites--so if anyone asks, I'll do a future posting on that. In the meantime, probably the best bird photographer alive (possibly the best ever) is Artie Morris and his Birds as Art site is worth exploring (you'll be there for hours). Artie's The Art of Bird Photography II is a CD version of his classic book ($40) and it's astounding--literally hundreds (come to think of it, there may be thousands) of his photos that will simply blow your mind. I got it from Lynne for Christmas one year and every time I look at it I just want to run away and become a full time wildlife photographer. His photographs are incredible and he teaches more on that disc than you can possibly imagine--he shares everything and holds nothing back, the mark of a great teacher.
Teaser: Coming up in the March issue of Pop I have a column on cave photography--so get your headlamps and caving gear ready.
Enterning the Fjord
6 days ago